about stone and ripple
Invitation
Using Wigout (Mac or PC) or the samples found at the .microsound server create a new work no longer than 6 minutes in length.
You may abuse, process, mangle, fuck up, destroy, fold, bend, and/or mutilate the Wigout soundfiles with any sound application you want to use.
The only wish is that the flavor of the Wigout waveforms is retained somehow.
All styles of microsound are welcome.
Results will be compiled and released here.
The deadline for submissions has passed.
MP3 // stone and ripple
| Title | Length | Size (MB) | Artist | |
|---|---|---|---|---|
| 1 | StoneSkips7Times.mp3 | 04:28 | 4.10 | Andrew Duke |
| 2 | wigMix2 | 02:49 | 2.59 | anechoic |
| 3 | b_owen_ripple_toss | 01:29 | 1.37 | b owen |
| 4 | darkening boatman | 02:40 | 2.45 | brian lavelle |
| 5 | rotsoi | 04:24 | 4.04 | craig stansifer |
| 6 | w[eg0]t | 02:57 | 2.71 | e.g. ø |
| 7 | wighetto_stoning.mp3 | 05:50 | 5.35 | forma |
| 8 | module | 03:57 | 3.62 | fugadeserebros |
| 9 | no_module | 03:48 | 3.49 | fugadeserebros |
| 10 | stippled | 04:03 | 3.71 | Glenn Bach |
| 11 | Naka Ishi | 04:50 | 4.43 | Gydja |
| 12 | Pulsar_Meskiliniti.mp3 | 05:57 | 5.45 | illogik |
| 13 | sloped | 04:57 | 5.22 | john saylor |
| 14 | sloped | 04:57 | 4.53 | john saylor |
| 15 | sloped | 04:57 | 4.53 | johns saylor |
| 16 | JF-wigette07 | 00:05 | 0.08 | juanjo fernandez |
| 17 | JF-wigette08 | 00:05 | 0.08 | juanjo fernandez |
| 18 | JF-wigette12 | 00:05 | 0.08 | juanjo fernandez |
| 19 | JF-wigette13 | 00:05 | 0.08 | juanjo fernandez |
| 20 | JF-wigette14 | 00:05 | 0.08 | juanjo fernandez |
| 21 | JF-wigette15 | 00:05 | 0.08 | juanjo fernandez |
| 22 | JF-wigette17 | 00:05 | 0.08 | juanjo fernandez |
| 23 | JF-wigette18 | 00:05 | 0.08 | juanjo fernandez |
| 24 | JF-wigette19 | 00:05 | 0.08 | juanjo fernandez |
| 25 | JF-wigette20 | 00:05 | 0.08 | juanjo fernandez |
| 26 | JF-wigette21 | 00:05 | 0.08 | juanjo fernandez |
| 27 | JF-wigette23 | 00:05 | 0.08 | juanjo fernandez |
| 28 | JF-wigette24 | 00:08 | 0.13 | juanjo fernandez |
| 29 | JF-wigette26 | 00:01 | 0.02 | juanjo fernandez |
| 30 | JF-wigette27 | 00:01 | 0.02 | juanjo fernandez |
| 31 | JF-wigette29.1 | 00:01 | 0.03 | juanjo fernandez |
| 32 | JF-wigette29 | 00:01 | 0.02 | juanjo fernandez |
| 33 | JF-wigette30 | 00:01 | 0.02 | juanjo fernandez |
| 34 | JF-wigette31 | 00:01 | 0.02 | juanjo fernandez |
| 35 | JF-wigette32 | 00:02 | 0.03 | juanjo fernandez |
| 36 | JF-wigette33 | 00:02 | 0.03 | juanjo fernandez |
| 37 | JF-wigette34 | 00:03 | 0.05 | juanjo fernandez |
| 38 | JF-wigette35 | 00:00 | 0.01 | juanjo fernandez |
| 39 | JF-wigette36 | 00:04 | 0.06 | juanjo fernandez |
| 40 | JF-wigette37 | 00:02 | 0.03 | juanjo fernandez |
| 41 | JF-wigette38 | 00:01 | 0.03 | juanjo fernandez |
| 42 | JF-wigette39.2 | 00:01 | 0.03 | juanjo fernandez |
| 43 | JF-wigette39 | 00:01 | 0.03 | juanjo fernandez |
| 44 | JF-wigette40.1 | 00:01 | 0.03 | juanjo fernandez |
| 45 | JF-wigette40 | 00:01 | 0.03 | juanjo fernandez |
| 46 | JF-wigette41 | 00:01 | 0.03 | juanjo fernandez |
| 47 | JF-wigette42 | 00:01 | 0.03 | juanjo fernandez |
| 48 | JF_wigette06 | 00:05 | 0.08 | juanjo fernandez |
| 49 | elemental_iteration | 04:30 | 4.14 | loa/dB/ang |
| 50 | Whet | 03:58 | 3.65 | Logickal |
| 51 | gniniamer | 02:33 | 2.35 | ma_hovina |
| 52 | Heir | 03:40 | 3.37 | m.allen |
| 53 | kissing terre | 01:27 | 1.33 | mel ducasse |
| 54 | Crutches, as fashion accessory | 02:58 | 2.73 | Michael Bleming |
| 55 | weget | 02:36 | 3.57 | Michaël Sellam |
| 56 | weget2 | 02:36 | 2.38 | Michaël Sellam |
| 57 | paraexxon | 04:00 | 3.67 | nisi |
| 58 | upheaval | 04:02 | 3.69 | nisi |
| 59 | MeanwhileInTheLounge | 03:23 | 3.10 | Notstandskomitee |
| 60 | Sttonneskkippr.mp3 | 04:14 | 3.89 | omnid wigout |
| 61 | GirlWig-PeterNyboer | 05:48 | 5.31 | Peter Nyboer final |
| 62 | PYO_senerchia_231180_pt1.mp3 | 03:32 | 3.25 | pyo |
| 63 | PYO_senerchia_231180_pt2.mp3 | 02:20 | 2.14 | pyo |
| 64 | MissleCommand | 05:03 | 4.64 | scott allison |
| 65 | Snowday | 05:59 | 5.48 | scott allison |
| 66 | dopey_tab_ver1.mp3 | 04:37 | 4.23 | Sochkhere pAn |
| 67 | Wigout Contribution | 05:11 | 4.75 | Sola |
| 68 | vague parenthèse balnéaire | 04:02 | 3.69 | sumoto.iki |
| 69 | 60-01 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 70 | 60-02 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 71 | 60-03 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 72 | 60-04 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 73 | 60-05 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 74 | 60-06 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 75 | 60-07 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 76 | 60-08 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 77 | 60-09 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 78 | 60-10 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 79 | 60-11 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 80 | 60-12 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 81 | 60-13 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 82 | 60-14 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 83 | 60-15 | 01:00 | 0.46 | tads wigout samples - longer mp3s |
| 84 | 120-01 | 02:00 | 0.92 | tads wigout samples - longer mp3s |
| 85 | 120-02 | 02:00 | 0.92 | tads wigout samples - longer mp3s |
| 86 | arcane ripples | 06:48 | 6.24 | ThanosChrysakis |
| 87 | disembodied | 01:04 | 0.98 | tofu |
| 88 | Lifting Cars Is Faster (mix 01) | 03:27 | 3.16 | Vatic |
| 89 | alpestrine pond | 05:57 | 5.46 | will soderberg... |
| 90 | prolapse intend | 02:48 | 2.57 | will soderberg... |
| 91 | spanner piloted 1 | 04:08 | 3.80 | will soderberg... |
| 92 | spanner piloted 2 | 05:21 | 4.91 | will soderberg... |
| 93 | stoning spree.mp3 | 05:12 | 4.77 | wirbellos |
| 94 | stoning_spree.mp3 | 05:12 | 4.77 | wirbellos |
abstract
Abstract
‘the stone cast, the ripple made’
Kim Cascone, January 17 2003
I've always found creating waveforms using time-domain methods much more interesting than the typical FFT based methods...while I was working for Staccato Systems I came across a PC application called Wigout developed by Arun Chandra
Wigout allows one to create waveforms by transforming 'segments' in time.
The docs at the website will explain all this in more detail.
After speaking with Tad Turner about the idea of implementing Wigout in Max/MSP he developed a patch that incorporates Wigout's functionality plus some extra features.After playing around with Tad's patch for a short while I was able to create some very unique sounds and thought that his patch could become the basis for a very cool list project.
